![]() It plays out like Snow White and the Outlaw Motorcycle Club.ĭirector Anthony Mandler’s first credited video was 8Ball & MJG’s “Pimp Hard,” and since then he has worked with Rihanna, The Killers, and Beyoncé. The leathery Hells Angels–type bikers pet world-weary prostitute Lana sweetly and take care of her when they’re not fondling her into a tilt or licking her neck. You could take the casting of some very, uh, authentic bikers (all of whom are listed in the end credits personal favorite: “Scott The Wall”) as Del Rey’s kiss-off to the neck-tatted male-model star from her first few videos who recently blasted her on Twitter by calling her a “speed fairy” and a “no-talent diva.” The bikers, although hulking and grizzled, are depicted as kittens in thrall to their old lady, an all-American vision in shorts and Chuck Taylors played by Del Rey. Considering that Lana Del Rey has an unreleased song called “Axl Rose Husband,” it’s not too surprising that “Ride,” the latest of her increasingly ambitious music videos, tries to go full “November Rain,” firing every secret romantic Gothic synapse in the human brain into a Wuthering Heights frenzy on the rain-soaked moors of Nevada’s Valley of Fire. The cinematic long-form music video has become as integral a part of an artist’s maturation as double live LPs and concept albums.
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